sound files
flash movies All material on this page is made publically available under a creative commons non-commercial license: unrestricted download, copying, redistribution is permitted by the author for non-commercial artistic and educational purposes. Commercial use without explicit permission of the author is not permitted. Rights to these scores have not been transferred to a third-party collecting agency, and the author encourages performers of his work not to pay any fees to such agencies unless compelled to do so by law.
| INTERVIEWS, DOCUMENTATION ... | |||||||||
| a feature about my music by Thomas Groetz |
Bayerischer Rundfunk 20 February 2012 |
53'39" | ![]() |
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| a feature about my music by Anna Bromley and Jeremy Woodruff |
Lautstrom on reboot.fm 16 June 2010 |
59'58" | ![]() |
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| an interview by Daniel Vezza (2009) | |||||||||
| a feature about my music by Matthias Entress |
DeutschlandRadio 29 April 2008 |
56'32" | ![]() |
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| short video documentations : |
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| wave piano scenery player | 6'00" | ![]() |
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| AUTOMAT | 3'52" | ![]() |
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| Magister Zacharias | 3'40" | ![]() |
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| reminded again | 4'13" | ![]() |
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| Wonderful Scatter | 5'27" | ||||||||
| Change in your pocket | 2'32" | ![]() |
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| RECENT WORK ... | |||||||||
| top solos duos ensemble opera video writing | |||||||||
| Garden Songs (2009) music about a text by Wolfgang Betke |
dobro, alto flute, percussion, prerecorded voice track |
9' | ![]() |
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| Johann Sebastian Bach RICERCAR Musikalisches Opfer 1 (2001/11) composed jointly with Wolfgang von Schweinitz |
3 parts (open), computer sounds |
open | ![]() |
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| LOSS & GAIN (2011) scenery / edition of 7 double LP vinyl dub plates Marc Sabat / Lorenzo Pompa |
>web video | 7' | ![]() |
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| ERIK SATIE Vexations INTONATION (2011) | 3 instruments (open) | open | |||||||
| Kaleidoskop für Gerd Lünenbürger (2011) | string ensemble | 3' | |||||||
| Euler Lattice Spirals Scenery (2011) | string quartet | 30' | ![]() |
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| Preludio: Les Quintes Justes | ![]() |
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| Pythagoras Drawing (I) | ![]() |
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| Harmonium for Claude Vivier | ![]() |
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| Harmonium for Ben Johnston | ![]() |
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| Pythagoras Drawing (II) | ![]() |
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| November 15, 1935 - Leaving Santa Barbara (2007) based on a sketch by Harry Partch |
solo male Intoning Voice and Violin with spoken voice aside |
6' | ![]() |
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| John Jenkins (2001/11) | 6 instruments (open), 2 manual harpsichord in Helmholtz Tuning |
15' | ![]() ![]() |
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| Epistolae Cucumeris (2010) Marc Sabat / Lorenzo Pompa |
artist edition | ||||||||
| wave piano scenery player (2010) Marc Sabat / Lorenzo Pompa |
CD from Maria de Alvear World Edition |
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| Hairy Hippy Happy (2006/10) | double horn, tenorbass trombone, 5-valve F-tuba |
15' | ![]() |
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| Father’s suit and watch (2009) Marc Sabat / Lorenzo Pompa based upon the song “House Carpenter” by Clarence Ashley |
live video ballet in ten tableaux with Prologue, Entr’acte and Epilogue >> watch a short trailer |
54' 4'20" |
![]() ![]() |
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| SOLOS | |||||||||
| top solos duos ensemble opera video writing | |||||||||
| Sei Bach-Intonazioni per Violino Solo, IIA (2010) |
violin | ||||||||
| Sei Bach-Intonazioni per Violino Solo, IA (2010) |
violin | ||||||||
| 2nd WAKE (for Bob) (2009) | Fokker Organ in 31-tone temperament (2 versions) |
11' | ![]() ![]() |
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| Erbsen (2009) | recorders and prerecorded track | 10' | ![]() |
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| 1. Tarantella | ![]() |
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| 2. Saraband | ![]() |
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| 3. Menuet | ![]() |
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| 4. Ricercar | ![]() |
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| 5. Anglaise | ![]() |
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| 6. Courante | ![]() |
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| Hairy Hippy Happy #2 (2008) computer intonation |
sampled and filtered Indian sruti box |
11'45" | ![]() |
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| eudaimonia (2009) composed jointly with Stefan Bartling |
piano | 3' | ![]() |
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| Berlin street scenes (2008) | field recording | 10' | ![]() |
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| wave piano scenery player (2007) Marc Sabat / Lorenzo Pompa |
scenery with paintings, piano, pianist, computer, loudpeakers |
18h | ![]() |
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| 1. WAKE for JIM | computer-piano | 5' | ![]() |
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| 2. to Damascus | live-piano | 30' | ![]() |
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| reminded again (2007) music scenery with accordion |
accordion and recorded electronic tones |
72' | ![]() |
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| reminded again (2007) music scenery with harmonium |
harmonium and recorded electronic tones |
72' | ![]() |
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| Wonderful Scatter (2005) music scenery with tuba |
6-valve F tuba with valve-sensors computer and loudspeaker |
104' | |||||||
| from Les Duresses: a book of music in Just intonation (2004) |
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| 1. Intonation after Morton Feldman #1 | violin | circa 10' | ![]() |
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| 2. Intonation after Morton Feldman #2 | violin | circa 10' | ![]() |
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| 3. Two Commas | violin | circa 10' | |||||||
| Artificial Music for Machines (2002) | MIDI-output acoustic piano with live computer generated tuned sinewaves |
11' | ![]() |
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| John Jenkins (2001/11) | 2 manual harpsichord in Helmholtz Tuning | 15' | ![]() |
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| 4 piano inventions (1999) | piano | 9' | ![]() |
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| 1. | ![]() |
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| 2. | ![]() |
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| 3. | ![]() |
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| 4. | ![]() |
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| For Magister Zacharias (1997) | amplified Steinway piano mechanism | 10' | ![]() |
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| for solo voice (1997) | soprano | 8' | ![]() |
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| Change in your pocket (1997) | amplified bowed string instrument and delay |
12' | ![]() |
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| Nocturne (1996) | piano | 7' | ![]() |
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| 2 piano studies (1995) | piano | 9' | ![]() |
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| DUOS | |||||||||
| top solos duos ensemble opera video writing | |||||||||
| Composition for La Monte Young, February 2010 |
2 players twice the same instrument |
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| Tristan, Isolde (2009) | 2 pianos | 2' | ![]() |
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| in the valley (2008) (for Stefan and Säde) |
violin and voice | 1'05" | ![]() |
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| Claudius Ptolemy (2008) | violin and cello | 4' | ![]() |
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| November 15, 1935 - Leaving Santa Barbara (2007) based on a sketch by Harry Partch |
solo male Intoning Voice and Violin with spoken voice aside |
6' | ![]() |
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| wave piano scenery player (2007) Marc Sabat / Lorenzo Pompa |
scenery with paintings, piano, pianist, computer, loudpeakers |
18h | ![]() |
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| 3. wave scenery | duo for computer and pianist | 17h 30' | ![]() |
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| WAKE for JIM (2007) | pianist and player-piano | 5' | ![]() |
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| reminded again (2007) | 2 harmoniums in unison and recorded electronic tones |
72' | |||||||
| from Les Duresses: a book of music in Just intonation (2004) |
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| 4. Duas Quintas | 2 violins | circa 15' | ![]() |
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| YOU MAY NOT WANT TO BE HERE (after Bruce Nauman) (2000) composed jointly with Matteo Fargion |
recorded voices, prepared piano, electric and/or acoustic violins |
31' | ![]() |
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| For Michael Baker (Composition for High Trumpet and Bass Drum, 1996) |
trumpet, bass drum | 3' | ![]() |
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| 3 Chorales for Harry Partch (1993) | retuned violin and viola | 6' | ![]() |
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| ENSEMBLE | |||||||||
| top solos duos ensemble opera video writing | |||||||||
| ERIK SATIE Vexations INTONATION (2011) | 3 instruments (open) | open | |||||||
| Kaleidoskop für Gerd Lünenbürger (2011) | string ensemble | 3' | |||||||
| Euler Lattice Spirals Scenery (2011) | string quartet | 30' | ![]() |
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| Preludio: Les Quintes Justes | ![]() |
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| Pythagoras Drawing (I) | ![]() |
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| Harmonium for Claude Vivier | ![]() |
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| Harmonium for Ben Johnston | ![]() |
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| Pythagoras Drawing (II) | ![]() |
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| Al naharot Bavel (2010) | contralto, basso, adapted viola, horn, trombone, tuba |
5' | |||||||
| Hairy Hippy Happy (2006/10) | double horn, tenorbass trombone, 5-valve F-tuba |
15' | ![]() |
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| String Quartet 2 (Cucumber Variation) (2010) |
2 violins, viola, cello | 35' | |||||||
| Cucumber Serenades (2009) (Gurkenlieder) |
solo violin, violin choir electronics |
30' | ![]() |
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| Garden Songs (2009) music about a text by Wolfgang Betke |
dobro, alto flute, percussion, prerecorded voice track |
9' | ![]() |
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| Erbsen (2009) | recorders and prerecorded track | 10' | ![]() |
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| 1. Tarantella | ![]() |
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| 2. Saraband | ![]() |
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| 3. Menuet | ![]() |
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| 4. Ricercar | ![]() |
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| 5. Anglaise | ![]() |
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| 6. Courante | ![]() |
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| De profundis clamavi ad te, Domine (2008) | viola, adapted viola, cello each player also singing |
8' | ![]() |
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| reminded of charlemagne palestine (2007) | violin, cello, piano | 25' | ![]() |
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| Spectral Canon No. 1 (for James Tenney) (2005) |
12 contrabasses | 10' | ![]() |
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| Henrys Cowbell DJ & Strike (2004) music scenery |
5 percussionists and computer- generated electronic tones |
45' | |||||||
| John Jenkins (2001) | 6 instruments (open), 2 manual harpsichord in Helmholtz Tuning |
15' | ![]() |
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| Johann Sebastian Bach RICERCAR Musikalisches Opfer 1 (2001/11) composed jointly with Wolfgang von Schweinitz |
3 parts (open), computer sounds |
open | ![]() |
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| ‘Hope’ (2000) text : Philostratus (the elder) English translation : Christian Wolff |
male and female voices, bass flute, clarinet, violin, viola, cello, piano |
8' | ![]() |
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| Idyllily (2000) composed jointly with Martin Arnold, John Oswald, Richard Wagner |
11 solo strings and optional voices | 13' | ![]() |
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| Backyard summer patio (1999) | bass clarinet, percussion, piano | 9' | ![]() |
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| Three Fleshy Loves (1998) | clarinet/bass clarinet, violin, cello, piano | 19' | ![]() |
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| #1 | ![]() |
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| #2 | ![]() |
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| #3 | ![]() |
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| Everlasting sweet peas (1998) | 3 violins | 10' | ![]() |
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| 1. Tarantella | ![]() |
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| 2. Saraband | ![]() |
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| 3. Menuet | ![]() |
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| 4. Ricercar | ![]() |
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| 5. Anglaise | ![]() |
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| 6. Courante | ![]() |
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| Modernes Kaufhaus (1998/2010) | clarinet/bass cl, trombone, cello, muted piano | 11' | ![]() |
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| 1. Swabian Queen | ![]() |
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| 2. Rathaus | ![]() |
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| 3. König X | ![]() |
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| Trio for piano violin cello (1998) tuned in Just Intonation |
17' | ![]() |
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| You & Mr Mason (1997) | 11 piano players no previous experience required |
10' | ![]() |
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| Mein Mantel ist weg (1997) | piano, amplified clavichord, violin, soprano/alto sax, whistling, electric bass |
10' | ![]() |
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| Quiet Winter (1996) | violin solo and ensemble | 20' | ![]() |
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| pier (1996) composed jointly with John Oswald |
ship’s horns | 5' | ![]() |
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| Beautiful city (1994) | string quartet | 10' | ![]() |
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| OPERA | |||||||||
| top solos duos ensemble opera video writing | |||||||||
| Father’s suit and watch (2009) Marc Sabat / Lorenzo Pompa based upon the song “House Carpenter” by Clarence Ashley |
video ballet in ten tableaux with Prologue, Entr’acte and Epilogue |
54' | ![]() |
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| New shoes, without laces (1998) text / video : Nicolás Fernández |
female voice, accordion, violin, cello, percussion |
23' | ![]() |
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| An Opera (1997) based on a text by Emmett Williams composed jointly with Matteo Fargion |
male and female voices, violin and marimba (or clavichord) |
3h 15' | |||||||
| VIDEO | |||||||||
| top solos duos ensemble opera video writing | |||||||||
| Father’s suit and watch (2006/8) Marc Sabat / Lorenzo Pompa remix : Michael Hynes |
video ballet | 51'39" | |||||||
| AUTOMAT (1999/2007) music : Marc Sabat video : Peter Sabat |
music scenery for 2 violins video and field recording |
14' | ![]() |
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| Three for Magister Zacharias (1997/2002) music : Marc Sabat video : Peter Sabat |
videotaped performance at Skywalker Sound, Marin County California |
25' | ![]() |
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| Change in your pocket (1997/2002) music : Marc Sabat video : Nicolás Fernández DVD realization : Peter Sabat |
videotaped performance at Akademie Schloss Solitude, Stuttgart |
12' | ![]() |
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| WRITING | |||||||||
| top solos duos ensemble opera video writing | |||||||||
| Some Reflections about Sound, Music and Art (2010) |
text for Positionen, July 2010 | 2 pages | |||||||
| On Ben Johnston’s Notation and the Performance Practice of Extended Just Intonation (2009) |
monograph for Ben Johnston and Sylvia Smith |
11 pages | |||||||
| The Helmholtz-Ellis Font (2011) cross-platform Unicode font for microtonal JI accidentals |
zip archive | ||||||||
| 31-Limit Helmholtz-Ellis Calculator (2008) accidentals and ratios to cents parser for microtonal MIDI playback |
cross-platform MaxMSP package: zip archive (coming soon!) |
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| Micromaelodeon I (2008) self-tuning 3-voice synthesizer |
cross-platform MaxMSP package: zip archive (coming soon!) |
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| An algorithm for real-time harmonic microtuning (2008) |
paper presented at the congress on Sound and Music Computing |
10 pages | |||||||
| Three Crystal Growth Algorithms in 23-limit constrained Harmonic Space (2007) based on an article by James Tenney |
published in MusikTexte 112 and in Contemporary Music Review (vol 27 part I 2008) |
26 pages | |||||||
| Towards an Expanded Definition of Consonance: Tuneable Intervals on Horn, Tuba and Trombone (2006) |
Marc Sabat & Robin Hayward | 50 pages | |||||||
| Double Horn in Bb and F: tuning in Just Intonation (2005) |
11 pages | ||||||||
| Natural Harmonics on Cello and Violin (2005) | 4 pages | ||||||||
| The Extended Helmholtz Ellis JI Pitch Notation English text (2005) Deutsche Fassung : Natalie Pfeiffer |
22 pages | ||||||||
| Helmholtz Ellis JI Pitch Notation Introduction and Legend (2005/9) version with accidentals up to 23-limit |
Marc Sabat & Wolfgang von Schweinitz | 4 pages | |||||||
| Johann Sebastian Bach RICERCAR Musikalisches Opfer 1 INTONATION : an experimental application of Extended Rational Tuning (2003) |
16 pages | ||||||||
| top solos duos ensemble opera video writing |