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CONCERT WORKS
top graphic scores language-based works text pieces collaborations writings
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Drift (2010)
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2 five-valved F tubas
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variable
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Systema II (2010)
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2 violins
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3'
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Arbitrary Object, no. 2 (2010) |
2 accordions
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2'
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Arbitrary Object, no. 1 (2010) |
2 B-flat clarinets
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2'30"
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Lines (2010)
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2 violins, 2 violas
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variable
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Inventions on German Communist Sources (2009-2010)
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7'
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Marsch der Sowjetjugend
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2 violins, 2 violas
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Lied des alten Kommunisten F
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2 trombones, horn, tuba
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Frage und Antwort und Frage
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2 violins, 2 violas
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Drei Worte an die Partei
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2 trombones, horn, tuba
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After "Ohio Impromptu" (2009)
(Cloister Walk, No. 3)
for Matt Barbier |
2 tenor-bass trombones
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18'
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Propaedeutic for Microtonal Performance
on Horn in F (2009)
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horn solo
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6'
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Valet will ich dir geben (2008)
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violin, trombone
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6'
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Systema (Cognitive Disjunction, proper) (2008)
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violin, viola, cello
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5'
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Systema (with Linear Distortion) (2008)
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violin, viola, cello
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10'
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Cloister Walk, No. 2 (2008)
realization, February 2008
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4 tenor-bass trombones
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5'
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Cognitive Congruence (2007)
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violin, viola, cello
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25'
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Cognitive Disjunction (2006)
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violin, viola, cello
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30'/45'
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Logos prior Logos, No. 3 (2005)
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flute, english horn, clarinet, horn, bassoon
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70'
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Amphiboly, Three Realizations (2005)
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guitar duo
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15'
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Limburger Skunk (2004)
for Jonathan Piper
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2 alto saxophones,
2 tenor saxophones,
trumpet, 2 trombones, tuba, percussion
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12'
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Incarceration (2002)
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guitar solo
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10'
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brief sketch (2002)
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cello duo
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6'
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A Winter's Walk in the Cloisters (2002)
(Cloister Walk, No. 1)
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2 trombones
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variable
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GRAPHIC SCORES
top concert works language-based works text pieces collaborations writings
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Cloister Walk, No. 2 (2007)
ink and graphite on paper
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ur-score for creation of performance
installations for trombone quartet
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Logos prior Logos, No. 4 (2005, rev. 2007)
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variable ensemble
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variable
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Logos prior Logos (2005)
oil on canvas, score for performance
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ur-score for creation of individual realizations
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Amphiboly (2004)
acrylic on canvas, variable duration
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ur-score for creation of individual realizations
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Invention in Three Parts (2004)
performance installation
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toy piano with optional cello and mixing console
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variable
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LANGUAGE-BASED WORKS
top concert works graphic scores text pieces collaborations writings
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Nostalgia Digest (2011)
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Hörspiel
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12'
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Pedantic Poetry (2011)
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writer
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N/A
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Resection (2011)
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speaking voice/trombone or
speaking voice and trombone
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variable
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Triptych (2010)
language study on a
poem by Simone Forti
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2 voices and video projection
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variable
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Celan Song (2009)
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2 speakers
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variable
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Sprechstimmung (2009)
for Simone Forti & Terrence Luke Johnson
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2 to 5 non-fluent speakers
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variable
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Logos prior Logos, No. 6 (2007)
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speaking voice
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8'
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Edit (2004)
for Don Nichols
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speaking voice and mixing console
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15'
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Insomnambulations: Preachin' Aphasia (2003)
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trombone/voice solo
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12'
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TEXT PIECES (INSTRUCTION SCORES)
top concert works graphic scores language-based works collaborations writings
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Thread (2011)
a meditation
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variable zither
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variable
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Pedantic Poetry (2011)
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writer
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N/A
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Template Piece (2011)
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variable ensemble
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variable
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Logos prior Logos, No. 5 (2006)
on the ethical obligations
of the individual in society
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audience
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variable
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Echo Narcissus (2006)
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reader
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variable
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Solipsistic Self-Serenade (2004)
a meditation for Jacky & Jonathan
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variable
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INTERDISCIPLINARY COLLABORATIONS
top concert graphic scores language-based works text pieces writings
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Conversation Piece (2010)
interdisciplinary theatrical collaboration by
The Unbuttoned Sleeves; Simone Forti, dir.;
Kristen Smiarowski, dramaturg
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text, trombone, movement
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60'
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Bricklayers with a Sense of Humor (2009-2010)
sound-score for dance/theater work
choreographed by Arianne Hoffman
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2 violins, 2 violas, horn, trombone, tuba, piano,
4 portable monophonic audio cassette players
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75'
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To Borrow Salt (2009)
interdisciplinary theatrical collaboration by
The Unbuttoned Sleeves; Simone Forti, dir.;
Kristen Smiarowski, dramaturg
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text, voice, trombone, movement
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70'
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Indexical Permutations
(after The Key Game) (2009)
sound-score for dance/theater work
choreographed by Kristen Smiarowski
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Hörspiel
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15'
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The Key Game (2008)
sound-score for dance/theater work
choreographed by Kristen Smiarowski
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Hörspiel
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22'
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Turtles All the Way Down (2007)
interdisciplinary theatrical collaboration by
The Unbuttoned Sleeves; Simone Forti, dir.
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trombone, voice, text, small sounds, movement
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100'
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The Bachae (2006)
text: Euripides, trans. C.K. Williams
directed by Mira Kingsley
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female chorus, amplified mandolin
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150'
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101 (2006)
interdisciplinary theatrical collaboration by
The Unbuttoned Sleeves; Simone Forti, dir.
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trombone, voice, text, small sounds, movement
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100'
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Unbuttoned Sleeves (2005)
interdisciplinary theatrical collaboration by
The Unbuttoned Sleeves; Simone Forti, dir.
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trombone, voice, vinyl hose
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45'
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Fasteners (2004)
music : Douglas C. Wadle
video : Marianne Kim
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dance video
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18'
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Duet a Trio (2003)
performance piece for dancer and trombonist
created with Kristen Smiarowski, choreographer
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trombone, voices
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15'
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Wall (2003)
accompaniment for site-specific dance
choreographed by Kristen Smiarowski
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accordion, viola, cello
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20'
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WRITINGS PERTAINING TO MUSIC
top concert works graphic scores language-based works text pieces collaborations
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On “After ‘Ohio Impromptu’” and the
Use of Interval Resolutions (2011)
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Introduction to Reframing:
Augmentation and Diminution of Extended
Just Intonation Frequency Ratios (2011)
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Meaningful Scribbles
An Approach to Textual Analysis of
Unconventional Notations (2010)
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Journal of Music & Meaning
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No. 9
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Tradition and Experiment (2009 [2007])
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Notations 21
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Review: George Lewis, A Power
Stronger than Itself (2009)
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The Open Space Magazine
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No. 11
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Review: Alex Ross, The
Rest is Noise (2008)
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The Open Space Magazine
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No. 10
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Logos prior Logos
Logos, Logic, Language (2007)
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Everybody Loves Difficult Music
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Unbuttoned Sleeves
Process Writings, co-authored with
Simone Forti,
Terrence Luke Johnson, &
Sarah Swenson (2006)
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Beyond Baroque Books
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Playing on the Murky Level
a Philosophical Foundation for the Study
of Meaning in and through Experimental
Music/Performance (2004, rev. 2005)
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paper presented at the annual meeting of
the Society for Ethnomusicology, 2004
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Creative Musical Proceses in the Field
a Model for Intercultural Musical Collaboration
as an Alternative to Traditional Fieldwork (2002)
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MA thesis in Ethnomusicology, UCLA
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